"I am inspired by Hans Zimmer, Rahman & James Newton Howard" - Amit Trivedi

Five feet something man is sitting quietly in the lobby area where Rani Mukherjee and Vidya Balan were to attend their video interviews. As I finish my meeting with Vidya, I head to the first floor lobby for some unfinished business when my eyes catch an attention of a man facing his back, sitting quietly on the couch kept near the glass door of the grand balcony. I lean forward and see a man in spectacles fiddling with a music CD. The film's PR was seated opposite him. We exchange eye contact and she is seen whispering in the man's ear. He turns and smiles. My first meeting with India's finest after A.R Rahman, Amit Trivedi. AR and AT have a lot in common. They speak less, listen more and entertain us the most with their unusual but lovable soundtracks. Amit Trivedi is a revolutionary when it comes to scoring music for Hindi films, surprising when you come to know that he is only six films old. It's a pun when I say that Trivedi doesn't play instruments, he plays ideas but that's what reflects in his songs and background scores. Aamir, Dev D, Wake Up Sid, Aisha and his recent, No One Killed Jessica is a prime example of his striking balance in the songs, a sense of fragility blended with ominous, nearly sinister overtones. But it's not just the songs that he is bothered about. As an ardent fan of background scores, I firmly buy the conviction of Amit Trivedi when he quotes, "These days scores were more likely to be written by keyboard players with computer skills learned at film schools rather than composers trained at music college". UK's Harrow Observer columnist and Bollywood Hungama's London correspondent meets India's finest, most innovative and probably, in the near future, the only man who might be Oscar worthy - Amit Trivedi.